About This Instrument
As a playing instrument, it is a typical modern Hardanger fiddle.  Players in Norway and America have
played this instrument with no complaints about measurement, adjustment, and so forth.  Neck length
(edge of body to nut) 111 mm.  String length about 300 mm.  Flatter-than-violin fingerboard and bridge.  
Hardanger fiddle strings.

The decoration uses the traditional methods: inlay of bone and mother-of-pearl, and pen-and-ink drawing.
However,the artistic style is quite non-traditional.  In the traditional artwork, the pen-and-ink drawing is
leafy, and the inlay in the fingerboard and tailpiece are geometrical.
Here's an example of the traditional
artwork, in a fiddle by Torleiv Frøysaa,
from 1931.  It's on my workbench, being
Click to enlarge
But I could not force myself to do the traditional artwork; instead, all the artwork in my instrument is
based on Viking-age themes.  (The earliest known Hardanger fiddle is dated 600 years after the end of
the Viking age, so there is certainly no claim that this use of Viking themes is historical.  It is just an
artistic choice.)  Here are a few of the models I used.
Head from the Oseberg find - click to enlarge
Head of my fiddle - click to enlarge
The head of the fiddle is based on a
head that was part of the Oseberg ship
find.  This magnificent and terrifying
carving is probably the most famous
single object from Viking times.
The story of Sigurd the killer of the dragon Fafnir is the story that Wagner adapted for the Ring.  One of
the bad characters from the story (actually, nobody was very nice) was Gunnar.  As punishment, he was
thrown into a pit of poisonous snakes with his hands bound.  His sister threw in his harp.  He played the
harp with his feet, which calmed the snakes, until – perhaps he hit a wrong note – one of them bit him and
killed him.
Gunnar in the snake pit - click to enlarge
Gunnar on the fingerboard of my fiddle - click to enlarge
Scenes from the Sigurd story were
carved on church door frames.  Here
is Gunnar from one such door frame.  
I thought he would be a good choice
for the fingerboard of the fiddle.
The pen-and-ink work has various sources.  The birds (yes, they are birds) in the middle of the bottom and
top of the instrument are from the Oseberg find.  The intertwining animals on the upper and lower ribs
(sides) are from a silver cup known as the Jellinge cup.  And the runic inscription on the middle ribs says
… well, what do you think it
should say?